Cave Paintings and the Human Spirit: The Origin of Creativity and Belief

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The tools, concepts and historical perspectives will be useful at home, school, work, and most definitely in forging a stronger relationship with horses.

A Journey to the Oldest Cave Paintings in the World

The symposium has already attracted a growing international community of people who are sharing their experiences and ideas on the POH website. Instead of just reading the book, and listening to a lecture, Mark engages Linda in conversations, fed by questions and comments from the participants, which are generative and creative — I feel as though I am part of something where, together, we are all evolving and learning and creating NEW knowledge! Come and enjoy the fun! Come help change the world!

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To sample the offerings and join the symposium, go to www. Note that you can sample the first chapter and lesson, and the accompanying conversations, before you register. Also, for those considering attending a workshop with Linda Kohanov, Power of the Herd symposium members will receive ten percent off any single workshop she leads.

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Archaeologist and leading cave painting expert explores the origin of human creativity and belief

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Cave Paintings and the Human Spirit by David S. Whitley | Waterstones

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Aegean Prehistory. Whitley, American archaeologist and one of the world's leading experts on cave paintings, covers a lot of ground - as you would expect with a title such as this - in his publication Cave Paintings and the Human Spirit: The Origin of Creativity and Belief.

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Having visited Chauvet himself in , the author describes the situation clearly. This is one of many compelling aspects.

The age of the art of Chauvet runs from thirty five to thirty six thousand years, with two different episodes of use. No one had been inside the cave for millenia, apart from the discoverers, Jean Clottes and a few others, since it had been sealed off with the collapse of the original entranceway. In fact, there were three phases of collapse: roughly 29,, 23, and 21, years BP. The first collapse marked the end of the second period of human occupation the Gravettian , and the end of animal occupation followed the second collapse of the cliff.

The final collapse sealed the prehistoric entrance. This is why the archaeological context of the cave was 'pristine'.

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